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Plus, unlike the Reverb models, the non-reverb Princeton amp offers a significant amount of clean headroom.
The Princeton Reverb, on the other hand, has an extra 12AX7 preamp tube which gives it a more overdriven sound when the volume is pushed.
They continue to be a backline and recording mainstay of musicians who seek a great, chimey Fender clean and, when pushed, a classic overdriven tone.
Fender offered a full range of amps in their Blackface line, ranging from the diminutive Champ to the massive Twin Reverb.
Immediately popular for studio use, they also found favor from musicians playing small gigs.
Tech Specs: Once again, Fender issued three distinct variants of the Princeton amp during the Blackface era: the transitional “tuxedo” model, as well as reverb and non-reverb models in the new “Princeton” style.Tech Specs: Moving up to one 12” speaker and about 20 watts with up both reverb and non-reverb models, the Deluxe amp is like a Princeton on steroids.With the Deluxe, you get a lot more bass response and plenty more clean headroom.Our Buyer’s guide to vintage Fender amps explains in detail how you can date your amp by looking at serial numbers, tube charts, transformer codes, speaker codes, Fender logo, etc.Lots of different speakers were used in the blackface and silverface era Fender amps.
After all, he was the guy who reused his styrofoam cup for coffee.