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Douglas Bellard, a black fiddler, was the playing partner of the great Amede Ardoin before Ardoin decided to go with fiddler Dennis Mc Gee, a white man who could offer him more protection when playing before crowds in those racially segregated days. Here Douglas is accompanied by Kirby Riley, accordion.These songs by Bellard and Riley are extremely rare!They are the basis of songs done by people like Austin Pitre, Bois Sec and Canray, Iry Lejeune, and others.Lomax made a field trip to southwest Louisiana in 1934, where he recorded Wayne Perry.

A time of great music whose influence we cannot forget. Haunting, uncommonly tender folk music from fiddler Delma Lachney, vocalist Blind Uncle Gaspard, and accordion player John Bertrand.He sometimes played accordion for the KEUN Mamou Hour Cajun Band led by Sady Courville when Revon Reed was the host from Fred Tate's. Playing frottoir and singing with Ambrose Thibodeaux on accordion, live 1977 from Fred's Lounge in Mamou, Les Haricots Sont Pas Sales.Danced to his exciting band at Coz's Blue Goose hall in Eunice around that time, early 80s. The 1920s and 30s were a period of unequalled recording of the musical heritage of our country!Columbus "Boy" Fruge from Arnaudville was a contemporary and friend of Moise Robin.He recorded four songs: the famous Saute Crapaud (Jump Toad), not included here due to sound quality, and the three included here.

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And when Cajun musicians took from the popular culture of the day, you could be sure they'd put their own stamp on it and give it a unique twist, making it their own. The lovely Creole Waltz done by the Fawvors has the lyrics associated later with Tout Les Deux Pour la Meme (Both for the Same) by Lawrence Walker. Varise Conner remembers his friendship with Fuselier in a touching interview on the Louisiana Folk Masters cd.